where the things that were made are shown and seen

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Tiny House

Tiny House 1

Blender 2.71, rendered in Cycles with 3 renders of 300 samples each and combined in Photoshop to reduce noise.

This is my first finished 3D project after I finally gave Blender another try a week and a half ago. It’s a free 3D program and I’ve been wanting to do something 3D for many years, but the last time I tried I had no idea what I was doing. Back then was basically just me opening Blender, looking at the interface, and thinking “huh?” before closing it. This time I watched a series of tutorial videos on cgcookie.com and it’s actually fairly easy to pick up on. Most of what I did here was covered in those beginner tutorials.

One idea I had for 3D work would be to make a few houses like this, copy them until I had built a village, and then I could position the camera wherever I want to get references for paintings that would have accurate perspective and shadows.

My computer is a bit old though. I’m still using my late 2008 aluminum unibody macbook, 2.4GHz core 2 duo, nvidia geforce 9400m 256MB, 4GB ram (recently installed, all these years I’ve been using 2GB), and a new crucial M500 ssd (a bit harder to install because I had to use pliers to get an overtightened screw out of my macbook). I figure with those two recent upgrades I’ll get by for at least a few more years with this.

Fleeting Moment

Fleeting Moment

This was based on a photo of a snowy forest, but it was just trees. I made this entirely with an old tube of sepia (PBr7+PBk6, Holbein) and a new tube of snow white (pigment not listed, Shin Han). I got the snow white cheap a few months ago, a 50ml tube for only about $2 if I remember right. I’ve never used their paint before and I wanted to get one or two others, especially a black, but all that was left in stock was white.

Sunlit Clouds

Sunlit Clouds 1

Sunlit Clouds 2

Sunlit Clouds 3

From the photos I took on one of my train trips, during the winter. I think this was sunset, but I’m not sure now. The way the sunlight was slipping out from behind and between clouds and hills seemed interesting to me.

This past month has been so hot that I’m too busy in the cool mornings to make art and too hot the rest of the day to have the energy for art, or anything else. This is the time of year that I wish it was winter again. Starting with this post, everything will have snow until I’m not hot anymore.

Also, I’ve made a few changes. A few of my old posts I’ve deleted. Some of them had pixel art that I thought was too similar to the kind of work you’d see in a video game, and because I’ve come to view those as very unChristian and regret that I ever played them in the past I’d rather distance myself from them in my art now. I’ve also disabled likes on my posts for now because I thought I was focusing too much on blog stats. I really appreciate comments though and I always like being asked questions. :)

30 paintings for June

As I mentioned last post, I did a 30 oil paintings in 30 days challenge for June over in this forum thread (I’m yellow_oxide). For me it was an extra challenge because I had travel plans for this month and also my church follows the Sabbath on saturdays in which we rest from work, so in all I only actually had 18 days to do all 30 paintings. Some of the paintings may be a little rushed because most days that I painted I was doing 2 paintings, and couple of times I got behind and needed to do 3.

Most of these I painted on half of an 8″x10″ canvas board, with one painting on the top half and one on the bottom half. A few of them are on matte board scraps that I covered with gesso or on a 7″x5″ canvas board. Most are original but a few are based on paintings from either Van Gogh or Monet.

Overall I think this challenge was a lot of fun and helpful. Ideally I wouldn’t be so rushed, but because I didn’t feel like each painting had to be a masterpiece I was also more able to experiment with, ideas, paints, and mediums that I don’t normally use. If I do this again it won’t be a month with travel plans though.

Misty Waterfalls

Misty Waterfalls

Oil on Canvas, 8″ x 10″

This is the kind of place I’d like to go to. When I started this, as I often do, I wasn’t sure what I would make and just had some basic forms. This is the result of me exploring those forms.

It’s been too long since my last post, but it’s not like I haven’t been painting. I’m actually working on a challenge in this forum thread (I’m yellow_oxide) to make 30 paintings in 30 days for the month of June. I think I have about 20 of them done, most of them already posted there, and when they’re all done I’ll post them here all at once on June 30th.

Blueberries

Blueberries 1

Blueberries 2

Blueberries 3

I’m experimenting a cheap accessory I got for my camera to help with macro photos. Here’s a few photos I took of the blueberries in my garden this morning. They were the best tasting blueberries I’ve had.

Firefly Forest 2

Firefly Forest 2

Oil on canvas, 7″ x 5″

A moonlit forest with fireflies.

I painted over this a few times with different paints and I don’t remember everything that I used, but I know the white is zinc white (PW4, Daniel Smith), there was a greenish black mix I made with ultramarine, transparent yellow medium (PY128, Rembrandt), and I think quinacridone magenta (PR122, Daniel Smith), and some atrament black (PBk31, Mussini). There may have also been some viridian (PG18, Williamsburg) from a sample tube I have. The fireflies are dots of nickel titanate yellow (PY53, Daniel Smith).

There’s a little bit of glare from the camera, which kind of obscures the fireflies a little.

Anticipation (updated)

Anticipation updated

I made some updates to this painting. The old version is below this. I added shadows along the ground to break up the main area a bit. The fox had a very faint shadow before that was too faint for the camera to really pick up so I made it stronger. I also adjusted the silhouette of the trees/bushes a little and added a second layer of them behind for depth. There’s a bit of glare in the photo, but the colors are also more accurate.

Anticipation

Oil on canvas, 8″ x 10″

The paints I used for this are raw umber (PBr7+PBk11, Grumbacher), magnesium ferrite (PBr11, Daniel Smith), yellow ochre pale (PY42, Winsor & Newton) and both Portland gray deep and medium (PW6,4+PBr7+PBk11, Gamblin). I’m trying to get better color accuracy in my photos but this is a little bit lighter and warmer than the real painting. Tomorrow I have a grey card coming in the mail that’ll help me get a proper white balance with my camera.

Anticipation Sketch

This is the digital sketch I made in Photoshop. At first I was just testing out some new brush presets and I liked how it was starting to look like a wind blown landscape.

A Perilous Climb (revised)

A Perilous Climb 2a

Oil on canvas, 5″ x 7″

I had wanted to call this done before, but maybe it was a little too rough. In this revision I’ve added German black (natural PBk11, Williamsburg) to the sky and more of the previous Davy’s gray and my own white that I was working with in the first version.

Here’s a comparison of the white I made against a titanium white from Blockx-

Custom White 1 Comparison

You can see that the white from Blockx in the bottom row, which is Titanium white pigment in poppy oil, has a distinctly cooler/bluer color when mixed with German earth black. It’s also a shorter paint consistency, more opaque, and higher tinting.

My own white that I mulled is a mix of these pigments- titanium white (Blue Ridge), zinc white (Gamblin), and marble dust (Daniel Smith).
The oils used are walnut (M Graham) and refined linseed (Gamblin).

I didn’t measure the amounts used, but if I had to guess it’s around 60-70% titanium white and of the rest it’s probably more than half marble dust. You can see there’s a little bit of oil separation, but not much.

I actually like my own white paint for a couple of reasons. First, pure titanium white is normally very opaque and has very high tinting strength, far more than it really needs to be for artists. The addition of zinc white and especially marble dust has weakened the paint enough that it’s a little easier to control it in mixes. Second, titanium white has a reputation of having a “cooling effect” on other colors. I tested that out by comparing titanium white with zinc white in this post and found that the difference between their effects on color temperature to be situational, with some colors more affected by others, and at times nonexistent. Still, in this case my own white was clearly warmer and so its tints with the black were closer to neutral.

Waterfall Cave

Waterfall Cave

Photoshop, 333×500 pixels

I’ve started a digital sketchbook with lots of quick sketches made in Photoshop. I just start drawing whatever I think of or whatever a scribble starts to look like. This started as one of them but I liked it enough to make it a little more finished and developed. The brushes I used are from a set called “dry media brushes” but I don’t remember where or when I downloaded them. They’re very nice though, so I’ll be using these a lot.

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