Getting a good photo was hard, and even this isn’t perfect. Whenever I’ve made oil paint from this pigment it’s extremely short paint when it’s freshly made. Even without any stabilizers added the consistency of this paint is the closest there is to being like butter. I think I could even make a sculpture with it.
Genuine terre verte is very transparent and weak tinting. It’s good for glazing, for example. Some brands make an imitation terre verte by mixing pigments like phthalo green with burnt sienna, but the imitations are always far too opaque and are much stronger tinters.
Cool terre vertes, like the Nicosia green earth and the French terre verte at the top, are hard to find. Everyone seems to prefer making the warmer varieties. Sometimes I like to add a little terre verte to ultramarine to make it closer to a middle blue. 🙂