This was one of many deer that I’ve taken photos of from the train. Often they’re far away or there’s only a couple of seconds to aim the camera, focus, and take the photo, so a lot of them end up blurry or missed completely, but there’s a few that are decent enough to use as a painting reference. With this one I cropped away most of the photo, including some other deer, and repositioned this deer closer to the foreground plants for the composition.
The drawing was made only with a fountain pen and Daniel Smith walnut ink, no pencil needed, because this ink quickly melts away when painting over it with watercolor. Any errors or guiding lines that needed to be erased simply disappeared while painting, and any residual brown color blended in with the colors used.
Using a small porcelain dish for a watercolor palette works very well and it’s what I’ve been doing for most of the paintings and sketches I’ve made lately. Not all of the paints seen on it here were used in this particular painting because I don’t clean it between paintings. Van Dyke brown and cerulean gouache with Payne’s grey, ivory black, and dark yellow ochre watercolors was the palette for this, plus whatever other paints got mixed in.
Aside from briefly testing out a different brush at the beginning, the Cosmotop Spin oval wash brush seen in the final photo is what was used for everything. That could easily be my favorite brush because of how versatile it is, from razor thin lines to small areas of wash.