A couple of weeks ago I took the train again to visit family across the mountains and I noticed a distant mountain that still had snow on it. Using a Nikon P900, which zooms really far, I got a photo and then later sketched it before making the painting above.
The reference photo isn’t very clear because of distortions from the train window, which happens with other cameras I’ve tried, but it works for my purposes. The sketch is entirely gel pen a new Stillman and Birn sketchbook. A lot of it was drawn while waiting in the lobby of a tax preparer’s office or while my niece and nephew were getting haircuts while surrounded by the chaos of little kids.
After that I colored it in with some watercolor pencils, which are very useful when traveling, and used a waterbrush to turn the colored pencil into watercolor. A lot of the brown in the foreground is walnut ink that I had loaded into a brushpen with an extra piston ink converter that lets me use any compatible ink in it. For those areas I didn’t use the waterbrush and instead just let the ink hydrate the watercolor pencil if there was any. The shadows in the foreground are actually a regular colored pencil because I accidentally discovered that one pencil in the set, the indigo, is partly water soluble for some reason. A couple of the others were too, but not as much.
The final oil painting is the first finished oil painting that I’ve made in about five months, and it was a nice change of pace from watercolor. Some of the paints used in it are ones I made myself, such as burnt sienna, orange ochre, and one of the white paints. The others were from various brands. For a medium I was mostly using a small amount of safflower oil mixed with odorless mineral spirits.
By the way, lately I’ve been a lot more active on Instagram than here, so if you guys haven’t looked yet there’s a lot of new drawings and paintings posted here.