Like these clouds, time keeps passing by and the year is nearly at its end. In the time left, lets all put in dedicated effort to reach important goals. As Psalm 126:5 says, “They that sow in tears shall reap in joy.” The work described there isn’t easy and doesn’t show immediate signs of success, but it’s only if we make the effort now that good may later come of it.
Of course this doesn’t just apply to farming or other business. In a spiritual sense, the Bible also compares the Word of God to seed that is sown in the ground, representing people. Not only do the laborers share in the joy of the harvest that comes from that, but Jesus is described as taking part in that harvest. He sowed in tears but will reap in joy. The psalm ends with the next verse, saying “He that goes forth weeping, bearing precious seed, shall doubtless come again with rejoicing, bringing his sheaves with him.”
The reference was a couple of photos I took in the nearby field, but with the few houses by the trees and the highway and airport beyond that left out.
Included in the photos are each paint and the two brushes I used at the time that I started using it. The final photo doesn’t really look as good as in person, but the sun sets early now and in poor lighting a good photo is hard to get. The labels are hard to read, but the paints in order are Australian blue gum (a blue grey mix), ivory black, titanium white, cobalt blue, gel medium, cadmium orange hue (warming the cloud highlights and used in mountains), naples yellow, and cadmium yellow light.
Just a quick study painting of a small town in the mountains of Colorado. I’m not sure which one this is, but it’s definitely somewhere between Granby and Winter Park, which are near each other.
This started as a gouache painting on top of regular gesso, but after painting the sky I really wanted to do something in oil paint again. I covered it first with a layer of acrylic slow-dry medium by mistake, and after it eventually dried with the clear gesso that I meant to use. I needed it to dry fast, so for paints I chose Prussian blue, charcoal black (Rublev’s version dries fast), natural burnt sienna, and cobalt yellow, all of which dry fast. The titanium white also used doesn’t, but being mixed with the rest helped it. The entire gouache underpainting was covered with oil paint.
The reference photo was from last winter, but I photographed this painting using a very old lens I got at my neighbor’s garage sale a couple of days ago and had never heard of before. It’s a Steinheil München 100mm f3.5, meant for Argus C44 cameras that I “adapted” onto my digital camera by means of just gently shoving it into a Minolta MD adapter and wedging it in there. I think it’s sitting too close to the sensor to not go past infinity focusing and isn’t very secure, but for taking photos of things closer it’s actually pretty sharp. Apparently no one makes adapters for C44 lenses though, so I’m trying to figure out a better solution.
I’ve been looking forward to making some chickadees for this month, but somehow thought there was still another day left until I checked my email this morning and saw Laura’s wood stork. The bird posting hub is here. (edit- fixed link) (edit 2) I forgot to mention all of these are referenced from Paint my Photo. In the order posted they’re from Thomas Waters, Rodney Campbell, Lissa Perkins, and Rebecca3.
These four study paintings were each entirely made with just a Robert Simmons titanium shader, size 20, with a short handle. The two middle ones were painted with some old tubes of casein from Shiva. It’s a paint made from milk protein that’s been used since ancient Egypt and used to be popular with illustrators until acrylic paints were invented. It’s water soluble, even after it’s dried, but gradually becomes more water resistant. I used to not really like it that much because if you overwork an area, like I often do, then it can get muddy fast. Of course, that’s more of an issue with my skills and approach than the paint, but it kept me from practicing much with these paints and is why I still have them after many years. I’m not sure if it’s the age of these paints, maybe they’ve gone bad, but I don’t like the odor of them. The handling of the paint itself was enjoyable though, so maybe this’ll be a good one to use outside for plein air. When thinned with water they’re similar to watercolor, and are otherwise similar to gouache.